{"id":5462,"date":"2021-01-06T16:51:15","date_gmt":"2021-01-06T16:51:15","guid":{"rendered":"http:\/\/www.rusrim.com\/?page_id=5462"},"modified":"2021-08-17T15:21:20","modified_gmt":"2021-08-17T15:21:20","slug":"english-riccardo-bianchini-astronomer-and-composer","status":"publish","type":"page","link":"http:\/\/www.rusrim.com\/fr\/video\/english-riccardo-bianchini-astronomer-and-composer\/","title":{"rendered":"Riccardo Bianchini L\u2019ASTRONOMIE ET \u200b\u200bLA MUSIQUE \u00c9LECTRONIQUE"},"content":{"rendered":"<p><\/p>\n<h5 style=\"text-align: center;\"><b>+39 389 5975 184\u00a0<\/b>\u00a0<a href=\"mailto:info@rusrim.com\">info@rusrim.com\u00a0<\/a><\/h5>\n<h3 style=\"text-align: center;\">Cipriani A. 2007. \u00abRiccardo Bianchini et la musique \u00e9lectronique\u00bb dans Musica \/ Tecnologia n.1, Firenze University Press (contient le catalogue d\u00e9finitif des \u0153uvres de Riccardo Bianchini)<\/h3>\n<p><a href=\"http:\/\/www.rusrim.com\/wp-content\/uploads\/2021\/01\/Riccardo-Bianchini-compositeur-en-italie.jpg\"><img loading=\"lazy\" class=\"alignleft wp-image-5534\" src=\"http:\/\/www.rusrim.com\/wp-content\/uploads\/2021\/01\/Riccardo-Bianchini-compositeur-en-italie-300x169.jpg\" alt=\"Riccardo Bianchini compositeur en italie\" width=\"598\" height=\"337\" srcset=\"http:\/\/www.rusrim.com\/wp-content\/uploads\/2021\/01\/Riccardo-Bianchini-compositeur-en-italie-300x169.jpg 300w, http:\/\/www.rusrim.com\/wp-content\/uploads\/2021\/01\/Riccardo-Bianchini-compositeur-en-italie-1024x576.jpg 1024w, http:\/\/www.rusrim.com\/wp-content\/uploads\/2021\/01\/Riccardo-Bianchini-compositeur-en-italie.jpg 1280w\" sizes=\"(max-width: 598px) 100vw, 598px\" \/><\/a><\/p>\n<h5 style=\"text-align: center;\"><span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"http:\/\/www.rusrim.com\/fr\/video\/english-riccardo-bianchini-astronomer-and-composer\/\">Riccardo Bianchini<\/a>\u00a0<\/span>astronome et compositeur<\/h5>\n<p><iframe title=\"Riccardo Bianchini: &quot;Machu Picchu&quot; - Live recording 1995\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/LLbqrBHsCIw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<h4 style=\"text-align: center;\">Riccardo Bianchini astronome et compositeur de <span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/youtu.be\/llZ13FbrETU\">musique \u00e9lectronique<\/a><\/span><\/h4>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/www.rusrim.com\/wp-content\/uploads\/2021\/01\/Alessandro-Cipriani-et-Riccardo-Bianchini-compositeurs-en-italie.jpg\"><img loading=\"lazy\" class=\"alignleft size-medium wp-image-5533\" src=\"http:\/\/www.rusrim.com\/wp-content\/uploads\/2021\/01\/Alessandro-Cipriani-et-Riccardo-Bianchini-compositeurs-en-italie-204x300.jpg\" alt=\"Alessandro Cipriani et Riccardo Bianchini - compositeurs en italie\" width=\"204\" height=\"300\" srcset=\"http:\/\/www.rusrim.com\/wp-content\/uploads\/2021\/01\/Alessandro-Cipriani-et-Riccardo-Bianchini-compositeurs-en-italie-204x300.jpg 204w, http:\/\/www.rusrim.com\/wp-content\/uploads\/2021\/01\/Alessandro-Cipriani-et-Riccardo-Bianchini-compositeurs-en-italie.jpg 339w\" sizes=\"(max-width: 204px) 100vw, 204px\" \/><\/a>\u2026 01-16-1969. Parfois il me semble que la musique que j\u2019\u00e9cris n\u2019a pas de d\u00e9but ni de fin mais est simplement le transfert dans notre dimension de musique qui existe toujours sans interruption dans une autre dimension, quelque chose comme une bande infinie qui tourne toujours et qui est attach\u00e9e \u00e0 un haut-parleur de temps en temps\u2026 Je feuillette les journaux de Riccardo Bianchini; il \u00e9crivit cette pens\u00e9e \u00e0 23 ans\u2026 5 ans plus tard, en 1974, il commen\u00e7a \u00e0 enseigner la musique \u00e9lectronique, d\u2019abord \u00e0 Pescara, puis \u00e0 Milan et enfin au Conservatoire de Rome, o\u00f9 il mourut subitement le 9 juin 2003, alors qu\u2019il s\u2019appr\u00eatait \u00e0 entrer dans la salle de classe. Bianchini a toujours \u00e9t\u00e9 li\u00e9 \u00e0 la recherche musicale, \u00e0 la passion de l\u2019exp\u00e9rimentation, \u00e0 une profonde connaissance de la relation entre science et musique. En tant que compositeur, enseignant, chercheur, il \u00e9tait tr\u00e8s ouvert, profond\u00e9ment humain, d\u00e9vou\u00e9 et vital. En regardant les journaux de sa jeunesse que sa femme Ambretta m\u2019a gentiment montr\u00e9s il y a quelques jours, je d\u00e9couvre de nombreux aspects inconnus d\u2019un compositeur qui ignorait g\u00e9n\u00e9ralement la concurrence et le pouvoir, tant du point de vue politique qu\u2019humain. Et c\u2019est peut-\u00eatre pour cela que les journaux ont tr\u00e8s peu \u00e9crit sur lui \u00e0 sa mort (\u00e0 l\u2019exception d\u2019un bel article de Nicola Sani dans \u00abDiario\u00bb n \u00b0 24).<\/p>\n<p><iframe title=\"Moog Modular System 55\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/zoD4eGvB1V8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<div class=\"wpb_wrapper\">\n<p><b>1946<\/b>\u00a0Riccardo Bianchini was born in Milan (Italy), on June 23rd.<br \/>\n<b>1961-1973<\/b>\u00a0Studies Piano, Composition and Electronic Music at the Conservatorio \u201cG.Verdi\u201d.<br \/>\n<b>1964-1970\u00a0<\/b>Studies<b>\u00a0<\/b>Mechanical Engineering in Milan Politecnico University.<br \/>\n<b>1973<\/b>\u00a0Begins practicing computer music on mainframes (CNUCE, Pisa).<br \/>\n<b>1973-1983\u00a0<\/b>Italian transations of<i>\u00a0The Oxford History of Music, vol X,\u00a0<\/i>Charles Rosen\u2019s<i>\u00a0The Classical Style<\/i><b>\u00a0<\/b>and<b>\u00a0<\/b><i>Sonata Forms<\/i><b>,\u00a0<\/b>R.Dick\u2019s<b>\u00a0<\/b><i>The Other Flute<\/i>, Henri Pousseur\u2019s\u00a0<i>Electronic Music<\/i>.<br \/>\n<b>1974-1980<\/b>\u00a0Professor of Electronic Music in Conservatorio \u201cL.D\u2019Annunzio\u201d, Pescara.<br \/>\n<b>1977<\/b>\u00a0Founds\u00a0<i>ensemble edgar var\u00e8se<\/i>, a chamber group with repertoir from Venetian \u2018500 school to contemporary music, and conducts it in over 20 concerts.<br \/>\n<b>1978<\/b>\u00a0Computer Music Workshop in Padua (CSC), works with MUSIC360 on a IBM \u00a0mainframe.<br \/>\n<b>1980-1984<\/b>\u00a0Professor of Electronic Music in Conservatorio \u201cG.Verdi\u201d, Milan. Works with Music11 on a PDP-11.<br \/>\n<b>1987-\u2026<\/b>\u00a0Professor of Electronic Music in <a href=\"http:\/\/web.tiscali.it\/santacecilia\/\">Conservatorio \u201cS.Cecilia\u201d in Rome<span style=\"color: #0000ff;\">\u00a0<\/span><\/a><br \/>\n<b>1980-1990<\/b>\u00a0Produces and presents a number of concerts and programs about contemporary music at RAI-Radiotre (Italian State Radio).<br \/>\n<b>1990-1992<\/b>\u00a0<i>Hypermusic<\/i>, a software package for learning music (PC and Mac versions).<br \/>\n<b>1981-1987<\/b>\u00a0Computer Music summer courses in Varenna, Citt\u00e0 di Castello (Festival delle Nazioni) and Montepulciano (Cantiere Internazionale d\u2019Arte).<br \/>\n<b>1992<\/b>\u00a0Founds\u00a0<i>Farfensemble<\/i>, a chamber group with repertoir from Venetian \u2018500 school to contemporary music, and conducts it in concerts, broadcastings, recordings.<br \/>\n<b>1995-2000<\/b>\u00a0Computer Music courses at EUM (University Music School) in Montevideo, Uruguay, and LIPM (Laboratorio de Investigacion y Produccion Musical) in Buenos Aires, Argentina.<br \/>\n<b>1997\u00a0<\/b>Computer Music course and lecture at Istituto Italiano di Cultura in Cordoba, Argentina<br \/>\n<b>1990-1997<\/b>\u00a0Writes\u00a0<i>Computer Music: a manual of musical informatics\u00a0<\/i>(in italian).<br \/>\n<b>1997<\/b>\u00a0Collaborates to\u00a0<i>Csound Book<\/i>, MIT Press.<br \/>\n<b>1998<\/b>\u00a0Co-author of \u201c<i>Il Suono Virtuale<\/i>,<i>\u00a0sound synthesis with Csound for PC and Mac<\/i>, with Alessandro Cipriani, published by \u00a0ConTempo<br \/>\n<b>1998\u00a0<\/b>Computer Music courses at EUM (University Music School) in Montevideo, Uruguay, LIPM (Laboratorio de Investigacion y Produccion Musical) in Buenos Aires, Argentina, Istituto Italiano di Cultura in Cordoba, Argentina.<br \/>\n<b>1998<\/b>\u00a0Partecipates in XII Colloquium of Musica Informatics (Gorizia, Italy)<br \/>\n<b>1998-1999<\/b>\u00a0Csound courses on the Internet (in Italian)<br \/>\n<b>1999\u00a0<\/b>Computer Music courses at EUM (University Music School) in Montevideo, Uruguay, LIPM (Laboratorio de Investigacion y Produccion Musical) in Buenos Aires, Argentina, Istituto Italiano di Cultura in Cordoba, Argentina, Universidad de Cuyo, Mendoza, Argentina<br \/>\nCourses in Accademia \u201cSanta Cecilia\u201d<br \/>\n<b>2000\u00a0<\/b>May<b>:\u00a0<\/b>exhibition in Rome, raku works by Yvonne Ekman, presentation of my \u201cSottovoce\u201d for tape.<b><br \/>\n<\/b>July\/August: Computer music courses and concerts at LIPM (Buenos Aires), Universidad Nacional de Cuyo (Mendoza), conference and concert at Universidad de Chile (Santiago de Chile);\u00a0November: conferencs and concerts in Santiago de Chile and Valparaiso \/Chile).<br \/>\nPublishing of \u201cVirtual Sound\u201d\u00a0(ConTempo)<br \/>\n<b>2001:\u00a0July\/August:<\/b>\u00a0courses and concerts at LIPM (Buenos Aires), Universidad Nacional de Cordoba and Universidad Nacional de Cuyo, Mendoza (Argentina) and in Universidad Nacional de Valparaiso (Chile). Concert as a conductor in Teatro de Vi\u00f1a del Mar (Chile).\u00a0<b>November:<\/b>\u00a0Rome, Course on Sound Spatialization, CRM.<br \/>\n<b>2002:\u00a0<\/b><b>January:\u00a0<\/b>Publishing of 2nd edition of \u201cIl Suono Virtuale\u201d.\u00a0<b>February:\u00a0<\/b>Participation in \u201cContemporara 2002, Forum di musica contemporanea\u201d, Tolentino (MC). Presentation of CD \u201cSax Chorus\u201d, including the composition\u00a0<i>Per larghi prati<\/i>, for 12 saxophones.<br \/>\n<b>August\/September:<\/b>\u00a0course and concert in LIPM; course and concert in University of Lan\u00f9s (Buenos Aires, Argentina); course and conducting my \u201cRosengarten\u201d with Orquesta SInfonica Regional (Valparaiso\/Vina del Mar, Chile)<br \/>\n<b>December:\u00a0<\/b>concert with\u00a0<i>Cecilia Elettrica<\/i>\u00a0group, Sala Accademica, Rome, XXV Festival di Musica Verticale<\/p>\n<h4><b>Articles and essays published in:<\/b>\u00a0Rivista IBM, Musica, 1985 La Musica, Musica Domani, musica\/realt\u00e0, Perspectives of New Music, Lettera dall\u2019Italia (Istituto dell\u2019Enciclopedia Italiana).<\/h4>\n<h6><b>Member of:<\/b>\u00a0direction of association\u00a0musica verticale, National Committee for Musicology (Italian Ministery of School and University), Advisory Board of Conservatorio \u201cSanta cecilia\u201d<\/h6>\n<h4><b>Computer Skills:<\/b>\u00a0programming in Fortran, Basic, 6502 Assembler,\u00a0 Visual Basic, C, C++, HTML, Javascript.<\/h4>\n<h4><b>Languages:<\/b>\u00a0Italian, Latin, English, Spanish, basic French and German.<\/h4>\n<h4><b>Hobbies:\u00a0<\/b>astronomy, olive-tree cultivation and olive oil production, mountain climbing.<\/h4>\n<h4><b>Family:<\/b>\u00a0Ambretta (wife), Pablo (b.1967), Cecilia (b.1978) and Carlotta (b.1983), plus 15 cats.<\/h4>\n<h5><b>Music software<\/b><\/h5>\n<\/div>\n<table border=\"0\">\n<tbody>\n<tr>\n<td valign=\"top\" bgcolor=\"#FFFFFF\">\n<p align=\"left\">I have developed a number of programs to ease the use of Csound and to ease computer music composition in general.Originally this software was written for personal use, but as it appeared useful to other people, I decided to share it with the computer music community.<\/p>\n<p align=\"left\"><a href=\"http:\/\/web.tiscali.it\/rbianchini\/wcshell.html\"><strong>WCShell<\/strong><\/a>\u00a0a Csound fornt-end and much more<\/p>\n<p align=\"left\"><a href=\"http:\/\/web.tiscali.it\/rbianchini\/musica.html\" target=\"_self\" rel=\"noopener\"><b>Musica\u00a0<\/b><\/a>a CSound-oriented score editor<\/p>\n<p align=\"left\"><a href=\"http:\/\/web.tiscali.it\/rbianchini\/spaghetti.html\" target=\"_self\" rel=\"noopener\"><b>S<\/b><b>paghetti<\/b><\/a>\u00a0a graphical object-oriented Csound orchestra editor;\u00a0WARNING: this is a beta version!<br \/>\nInstallation note: unzip all files in a new folder, preferably called SPAGHETTI.<\/p>\n<p align=\"left\"><strong>Scorex v.5.22<\/strong>\u00a0a spreadsheet-like score processor (included in WCSHell installation)<\/p>\n<p align=\"left\">Visit the URL\u00a0<a href=\"http:\/\/web.tiscali.it\/santacecilia\/sme\/download\/index.html\" target=\"_blank\" rel=\"noopener\"><b>http:\/\/web.tiscali.it\/santacecilia\/sme\/download\/index.html<\/b><\/a>\u00a0for additional Csound related software<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p align=\"center\">\u00a0Riccardo Bianchini\u00a0<a href=\"http:\/\/web.tiscali.it\/rbianchini\/\">official web<\/a><\/p>\n<p align=\"center\"><a href=\"http:\/\/www.rusrim.com\/wp-content\/uploads\/2021\/01\/Alessandro-Cipriani-and-Riccardo-Bianchini.jpg\"><img loading=\"lazy\" class=\"wp-image-5467 aligncenter\" src=\"http:\/\/www.rusrim.com\/wp-content\/uploads\/2021\/01\/Alessandro-Cipriani-and-Riccardo-Bianchini-204x300.jpg\" alt=\"Alessandro Cipriani and Riccardo Bianchini\" width=\"226\" height=\"332\" srcset=\"http:\/\/www.rusrim.com\/wp-content\/uploads\/2021\/01\/Alessandro-Cipriani-and-Riccardo-Bianchini-204x300.jpg 204w, http:\/\/www.rusrim.com\/wp-content\/uploads\/2021\/01\/Alessandro-Cipriani-and-Riccardo-Bianchini.jpg 339w\" sizes=\"(max-width: 226px) 100vw, 226px\" \/><\/a><\/p>\n<h3 align=\"center\">CD and LP<\/h3>\n<p align=\"left\"><b>10 storie zen<\/b>, for flute, clarinet, percussion, viola, cello and piano (1989 \u2013 10:30), PAN PRC S2062<br \/>\nWNC Ensemble<\/p>\n<p align=\"left\"><b>Ro\u00e8n<\/b>, for flute, clarinet, bassoon, horn, violin, viola, cello and piano (1982 \u2013 5:00), PAN CDC 3010<br \/>\nL\u2019Artisanat Furieux Ensemble, dir. Tonino Battista<\/p>\n<p align=\"left\"><b>Klimt<\/b>, for flute, oboe clarinet, violino, viola, cello, piano and tape (1991 \u2013 10:50)<br \/>\nRomensemble, dir. Flavio Emilio Scogna<\/p>\n<p align=\"left\"><b>Per larghi prati<\/b>, for 12 saxophones (1995-1998), CD phMusicWorX,<\/p>\n<p align=\"left\"><b>Collettivo II<\/b>, for flute, oboe, clarinet, bassoon, violin, cello and piano (1976 \u2013 5:00), EDI-PAN<br \/>\n<b>haiku<\/b>, for piano and tape (1976 \u2013 8:53), Nora Garcia, piano<br \/>\n<b>Concerto aperto<\/b>, for cello, trombone, piano &amp; percussion, double bass, drums, tape and live electronics (in collaboration with G.Liguori) (1981 \u2013 43:22), P.Milesi, L.Bonvini, G.Liguori, P.Liguori<br \/>\n<b>La principessa senza tempo<\/b>, for flute and tape (1985 \u2013 14:22), Marzio Conti fl.<br \/>\n<b>Our Faust<\/b>, for clarinet, trombone, double bass and live electronics (1987-15:42), ElectraVox Ensemble<br \/>\n<b>Fanes<\/b>, for flute and G flute (1 performer) (1988 \u2013 10:10), Stefano Conti fl.<br \/>\n<b>Preuss<\/b>, for violin, cello and tape (1988 \u2013 16:33), Mario Buffa vl, Luigi Lanzillotta vc.<br \/>\n<b>Divertimento<\/b>, for 13 instruments and quadraphonic tape (1988 \u2013 8:25), Gruppo Bruno Maderna, dir. F.Neri<br \/>\n<b>Machu Picchu<\/b>, for flute, oboe, clarinet, bassoon, 2 trumpets, horn, trombone and tape (1993 \u2013 15:29), Farfensemble, dir. R.Bianchini<br \/>\n<b>Canciones para las estrellas<\/b>, for stereo tape (1997 \u2013 7:15)<br \/>\n<b>Canciones para las estrellas<\/b>, for piano and tape (1997 \u2013 8:04), Nora Garcia, piano<br \/>\n<b>Los p\u00e1jaros del sue\u00f1o<\/b>, for clarinet and tape (1998 \u2013 10:53), Guillermo Sanchez, clarinet<br \/>\n<b>Montevideana<\/b>, soundscape (2000 \u2013 5:00)<br \/>\n<b>Sottovoce<\/b>, for stereo tape (2000 \u2013 6:00)<br \/>\n<b>Two pieces for a video<\/b>\u00a0for tape (2001 \u2013 2:10)<\/p>\n<h5 style=\"text-align: center;\"><em><span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"http:\/\/www.rusrim.com\/fr\/%D1%80%D0%B8%D0%BC-%D1%82%D1%83%D1%80%D1%8B-%D0%BD%D0%B0-%D0%BC%D0%B0%D1%88%D0%B8%D0%BD%D0%B5\/\">Tours motoris\u00e9s<\/a><\/span>\u00a0dans ROME \u2013 LATIUM \u2013 TOSCANE \u2013\u00a0OMBRIE \u2013\u00a0<em>CAMPANIE \u2013 ABRUZZES \u2013 TRENITINO \u2013 VENETO<\/em><\/em><\/h5>\n<h5 style=\"text-align: center;\"><b>+39 389 5975 184\u00a0<\/b>\u00a0<span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"mailto:info@rusrim.com\">info@rusrim.com<\/a><\/span><\/h5>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>+39 389 5975 184\u00a0\u00a0info@rusrim.com\u00a0 Cipriani A. 2007. \u00abRiccardo Bianchini et la musique \u00e9lectronique\u00bb dans Musica \/ Tecnologia n.1, Firenze University Press (contient le catalogue d\u00e9finitif des \u0153uvres de Riccardo Bianchini) Riccardo Bianchini\u00a0astronome et compositeur Riccardo Bianchini astronome et compositeur de musique \u00e9lectronique \u2026 01-16-1969. Parfois il me semble que la musique que j\u2019\u00e9cris n\u2019a pas [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":640,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"tags":[3599,3598,623,3597,3078,3521],"_links":{"self":[{"href":"http:\/\/www.rusrim.com\/fr\/wp-json\/wp\/v2\/pages\/5462"}],"collection":[{"href":"http:\/\/www.rusrim.com\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.rusrim.com\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.rusrim.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.rusrim.com\/fr\/wp-json\/wp\/v2\/comments?post=5462"}],"version-history":[{"count":28,"href":"http:\/\/www.rusrim.com\/fr\/wp-json\/wp\/v2\/pages\/5462\/revisions"}],"predecessor-version":[{"id":8910,"href":"http:\/\/www.rusrim.com\/fr\/wp-json\/wp\/v2\/pages\/5462\/revisions\/8910"}],"up":[{"embeddable":true,"href":"http:\/\/www.rusrim.com\/fr\/wp-json\/wp\/v2\/pages\/640"}],"wp:attachment":[{"href":"http:\/\/www.rusrim.com\/fr\/wp-json\/wp\/v2\/media?parent=5462"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.rusrim.com\/fr\/wp-json\/wp\/v2\/tags?post=5462"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}